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Artists in Flux

The last month or so has been a contradiction of sorts. A whirlwind of action paired with periods of stillness.

A good example of this is the last 2 days. We explored our new town by checking out a variety of services and then plein air painted on the Harbour Quay docks. We stalked our new little home, watching it from afar and being still in the neighbourhood to feel it out. (Something we should have done before purchasing but the real estate market isn’t great for a slow walk right now.) The streets are wide, quiet and lazy on these hot summer days (5 degrees hotter generally than Victoria).

We learned that pretty much everything you need to do can be found within a few minutes drive and a cross town trip takes less than 10 minutes, peak travel times. Coming back into Victoria was quite the contrast with long waits at each main intersection.

That was a whirlwind moment.

And now a waiting moment. I’ve done as many online changes I can before the move, or at least for now. And packing duties are thinning out. It feels too early to do a final clean yet.

I completed a painting commission (whirlwind) and am pondering/researching how to monetize our art activities. I will dig into that more once we are settled (waiting).

Come to think of it, this dynamic plays out when plein air painting as well; a rush to set up and identify my subject, a quick structural sketch for a good foundation, initial blocking in to set the tone and then… slow, thoughtful colour mixing and laying the strokes down. Pondering from a distance. Checking focal points and light. Enjoying the moment.

This recent plein air session included some wonderful chatting and joking with locals. Being new to the area let’s us introduce ourselves as not just painters, but new neighbours. We get to ask the naive questions and provide a listening ear for those who are out for social interaction. We met Wyatt, who has been in the town since the seventies. He grinned knowingly when he asked us if we had ever experienced winter there. And assured us of the safety of our new home, despite the rough edges.

We are already falling for Port Alberni. Our painting adventures have new ground to cover!

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Reminiscing on the Seeds of an Art Practice

When I lived in Colorado, I took courses and did drop-in life drawing sessions on a weekly basis at what is now the Cottonwood Center for the Arts. At that time it was founded and run by Sparky Lebold, who is a charismatic and talented artist. It was by chance that I started at Cottonwood, by finding a posting for courses in the mail room at the condo complex where I lived. I remember well the first night of a drawing course. The studio was in a small 2 story old brick building just a 5 minute drive away from home. As soon as I opened the door of the studio and began the climb up to the second story studio, I smelled the wonderful aroma of oil paint and a familar feeling of both comfort and excitement came over me. Ah boy, I hadn’t made art for quite a while (8 years!) as I focused on my career and I was looking for a little culture in my new home, having moved from Utah shortly before.

I was new to the group and nervous about that as well as about the challenge of drawing after such a long dry-spell. I looked around to get my bearings and determined that I needed to find a space among the other easels and horse benches. The first session was unremarkable as I found my bearings again but my skills returned slowly as the course progressed. I remember Sparky remarking that I kept getting so much better with every session. I wasn’t learning to draw, I was stretching familiar old muscles!

That first session led to years of mostly dropping in to life drawing sessions. I fell back in love with drawing. And I got to know a man whose work, character and passion for being an artist was incredibly inspiring to me. Sparky lived his love of art making and I was certainly jealous of that commitment. I didn’t have the courage to take that leap of faith and the financial choice, to quit my day job. I still don’t. However… as retirement nears, I imagine a time when I can just paint. Andrew and I will likely move up island (Vancouver island, that is) to retire to a smaller community and we intend to choose a town where there is a vibrant arts community. Perhaps we will open our own little studio/gallery. Perhaps the spare bedroom will simply be our studio. Either way, I will paint!

And lately I’ve been exploring the joy of painting pets. The seed that inspired that decision will be the topic of my next post. Another seed planted by Sparky. I owe him a lot. And I miss his passion for art and life. I know he’s still painting, which pleases me very much.

Painting of two cats
Sisters, oil on paper, 15″ x 22″
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COVID-creations

Andrew and I were scheduled to have a 2-person show this summer. What with the COVID situation, the show was cancelled and yet… we still have all that work in our studio! I’ll show you what’s been happening on my side of the studio over the past year or so, below. Larger versions of this work can be found in Nature Work and Landscapes.

I’ve made progress on finding a surface that really works for me (Arches oil painting paper) and have started seeing a personal style develop. This is something most artists strive for and I’m very happy to see it and to push myself to keep on track with it.

All work is for sale (unless indicated). Please email Faye if you are interested.

Small Birds of BC – Series 1

View larger images in Nature Work.

Small Birds of BC – Series 2

View larger images in Nature Work.

The Mean One

Studio landscapes

A closer and more abstract view of the landscape and light we see in the forests here in BC. Working with colour and visual texture.
One of my favourites because of the contrasting light and balance of structural and organic details.