A Big Reason Why We Make Art

This is my second post for the day and it’s going to be a quick one. I just wanted to capture a moment which happened this past weekend.

Andrew and I moved into a complex which is a 35+ community but we are actually the youngest ones there (we’re in our early 50’s). Our closest neighbour is Phyl, who is a dear woman who has expressed interest in our art activities. We happened to be in the garage working on framing when she walked by and we got to talking about our recent art purchase in Seattle. We invited her up to see the piece and as she was walking down the hall to the living room, she let out this exclamation of excitement at the painting over the fireplace. I don’t remember her words but they were very complimentary. Andrew showed her the etching we’d bought and she examined it, wondering if the location could be researched, etc. She went on to say that she was hoping the painting she liked was what we’d bought. It was my long coastal landscape:

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Then we directed Phyl to the stunning portrait Andrew has recently completed and she went into this amazing empathic description of the painful events which must have happened to the subject of the portrait, describing a miscarriage and such sadness. It was amazing to experience direct responses to our art. Usually the work is in a gallery and we wish we could be flies on the wall hearing what people are saying. This time we were just that. Phyl is a lovely woman and I can’t wait to invite her back to see more of our work!

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Elsa, graphite and gold leaf on illustration board, 18″x24″ By Andrew Bartley

Exhibition Season

It’s back; that time of the year when the painting slows down and the organizing, framing and submitting begins. This year we are confirmed for 2 shows and up in the air (to date) for two others.

We’ve been accepted into our first time in the Gorge on Art event on July 1, 2016. Funnily enough, we used to live around the corner from that event and now that we live across the city, we’ve decided to join in. This will be a great event with maybe a different audience (?) than the 29th Annual TD Art Gallery Paint-In (The Moss Street Paint-in) and a great dry-run of our set-up for that event, which is the second confirmed one.

The next two unconfirmed events are the Sooke Fine Arts Show and the Sidney Fine Art Show. The jury is out until mid-June on Sooke, to which we both submitted what we feel is some of our finest work right now so cross your fingers that the jury agrees! It’s going to be a busy summer already and unfortunately Sidney hasn’t taken their submission process online yet. That means many trips out and back to Sidney. We’ll see if it feels right to submit. In a bit.

Moving Through Realism?

Lately I’ve noticed that my studio paintings are becoming more realistic. These results are confusing to me. I’ll be painting up close, working with patterns, colours and values and then when I stand back, those abstract elements come together in a clear and crisp realistic image. What happened there?

The Clam Digger
The Clam Digger, Studio oil, 12″ x 24″ on board

I’ve always appreciated historical works with simple gestures of paint which create a clear object and I do enjoy seeing my recent results. However my goal is a more expressive painting style. Up close it looks like just that! So… perhaps I am either moving through the skill of realism and if I keep going, with my eye on my goal, I will end up in impressionism or expressionism OR maybe I just need to paint bigger!?