As I was transitioning between work items today and scrolled through Instagram, I came upon this quote:
A childhood is measured out by sounds and smells and sights, before the dark hour of reason grows. ~ John Betjeman
And it struck me that this is what I aim for when I create my art. I want people to experience a piece of work viscerally rather than intellectually, first. I want people to feel something, recall an experience, remember a moment or mood or smell or taste or event; to make a connection between their own lives and what is represented in that work.
And then it occurred to me that with the death of my dear mother-in-law last month, came a lot of personal reflection on what life is all about. And what we leave behind when we depart. If we don’t have children to carry our genes on, what evidence if any will there be of me even existing on the planet? Is there nothing but memories in people who have known me? (as a wee bit Buddhist then that’s okay with me) After all, isn’t life about the right now rather than the past-tense? Of course there is the art but that is also temporary.
But I really do think I’m okay if what my life is about is making a connection with another and effecting their thoughts, emotions, feelings… if only for a moment. Evidence of life.
It has been a month or so since I posted here. And a month or so since I was in front of the easel. I did make a couple short-lived attempts and we went plein air painting last Saturday. It has been a forced hiatus due to a death in the family. Life interrupts life sometimes.
And now that I am back it is that time of year to start choosing and prepping work for the summer art season. Small works at the AGGV, Sooke Fine Arts and Sidney Fine Arts. They were all fruitful for me last year so let’s do it again! A new one is the Al Frescoes annual show into which I *think* I will put a couple landscapes. I don’t paint with them often because I work Friday mornings. And those will likely be the only landscapes I show this year. This year is all about the portrait! Both painted and drawn. Big portrait year, this one.
In January I bought and prepped 10, 5″ x 7″ panels and rather randomly started painting these tiny portraits. Randomly, without much intent at all except that I had been doing all those charcoal portraits… these are my favourites:
The Mountain Guide, oil on panel, 5" x 7"
The Author, oil on panel, 5" x 7" SOLD
The Tugboat Captain, oil on panel, 5" x 7" SOLD
The Policeman, oil on panel, 5" x 7"
The Painter, oil on panel, 5" x 7" SOLD
Oil on panel
5" x 7" SOLD
The Author, oil on panel, 5" x 7"
The Designer, oil on panel, 5" x 7" SOLD
The Negotiator, oil, on panel, 5" x 7"
Enigma, oil on panel, 6" x 8"
The City, oil on panel, 5" x 7"
And so, now that life has settled back into routine, in between prepping for the shows, I want to get back into the large charcoal portraits. I just need some subjects to photograph. And time. As usual. Goodbye hiatus.