Size Matters

My last post was a while ago but it’s interesting that it ends off saying that I wanted to paint bigger… because I’m painting bigger now! Well, sometimes. Painting en plein air with a large panel is difficult because you turn into a human kite. So mostly I’m bigger in the studio. I have been working on a few low tide scenes. All that variation in colour and texture is so fun to play with, it allows me to add more colour and use the palette knife on the more hard-edged stones and the depth of field helps me to work on composition – drawing the viewer’s eye into the scene. It’s all just huge fun.

Here’s a piece in progress (below). I believe I have just a bit more work to do – on the upper left side rocks. Since it’s so big, it has taken several long studio sessions and as I am back at work after vacation now, even more 1 hour sessions after work. I’m using a solvent-free medium rather than linseed oil to loosen the paint and it creates the ability for me to use transparent layers of colour. Very nice. However, if you use too much of it, the medium won’t layer on top of itself anymore – it just pools. Live and learn, people. Live and learn.

The Sidney Fine Arts Show is being adjudicated right now so we’ll see if either my work or Andrew’s is accepted. Hopefully both!

Loving Kindness

At those moments when I am struggling with a painting, I often comment to my artist husband that painting is hard. In the big scheme of life, however, painting is pure pleasure even when it is not working out.

At those moments when I am struggling with all the small (and a few big) challenges thrown at my family and me this year, I note to myself that you never know what’s going on in a person’s life and we all need to be kind. In the big scheme of life, however, I am happy to be alive and this too shall pass. And this. And this.

Even when we chuck that painting in the bin or personal struggles trip us up, the living is good and painting is still hard!

Evidence from the summer of 2018:

Dry Spell

The temperatures, smells, blooms and pollen of an early summer have arrived with sunshine stretching out into the week. This is the time of year when I am preparing for summer and fall art show submissions, which means not much art gets made. However this year is particularly slow in the “create” mode. It’s been and continues to be a full spring of life’s surprises. I wish I could say they were all welcome.

Something which is welcome is the upcoming Al Frescoes plein air painting show at the Coast Collective, which opens tomorrow (Opening night is Thursday, May 17). Both Andrew and I have 2 pieces in the show. Mine were both painted in Jasper last summer. I rarely get the chance to paint with the group due to my work schedule so I’m grateful they still let me show with them. Andrew helped put the show up yesterday and I’m looking forward to seeing it on Thursday night. I hope to see everyone there!

The Art Gallery of Greater Victoria’s Summer Small Works show opens Thursday, June 7. I have 3 of my favourite small character portraits in the show. This is always a great chance to pick up a lovely little piece at a reasonable price. I hope to see you there as well!

 

So, even though it feels like not much has been happening in the studio, the shows are ramping up. Submissions into the Sooke Fine Arts show have been done and I am preparing for what will be submitted into the Sidney Fine Arts show. This is another busy exhibiting summer and I intend to spend the majority of my month-long summer vacation either outside painting en plein air or inside enjoying the studio. Sigh. I can’t wait!